It was already midnight essay

it was already midnight essay

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A biology major, hirsch is most passionate about biotechnology. His ambition is to work for a venture-capital firm. He got excited telling me about the summer job he had at the University of Chicago's Office of Intellectual Property and about sitting on a committee to help set up a university biotech incubator, where a new biotechnology company can be started. he also expresses disappointment in Chicago's relative lack of market mojo: Stanford commercializes a lot of stuff very well. This university has a lot of stuff that would be great, but we don't act. i asked whether incentivizing science according to its marketability might distort the university's mission to nurture ideas on the basis of intellectual merit, regardless of commercial potential. He's a bright kid, but I'm not sure he understood the question.

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but even her fun is raya impressive: an anthropology major specializing in food culture, she has been all over the city discovering exotic new ethnic restaurants. Caroline is a pristine example phd of what the times columnist david Brooks called, in a 2001 Atlantic Monthly article on college, an Organization Kid. She is, indeed, a cog in the organization - specifically, the bureaucracy that schedules students' self-exploration, the very facet of campus culture that mike yong and his friends find most infantilizing. Organization Kids don't mind. Most people make their accommodation between the two extremes. Their numbers include, interestingly enough, most of the campus activists. Jonathan Hirsch is a right-of-center example. He has been the president of Chicago Friends of Israel, and one of the actions he led was taking over the. Session at a panel on the Israeli-palestinian conflict that the Friends considered unbalanced. Hirsch is a case study of a phenomenon that wouldn't have made sense even to ronald reagan in 1966: the saturation of higher education with market thinking. It cuts against the presumption that the campus should be a place radically apart from the rest of society - its own city-state wrote the British poet Stephen Spender in a 1968 essay entirely typical of the era's what's-happening-on-campus genre.

As I futzed with list my digital recorder, she gushed, i'll talk all day about the university, whether or not I'm being recorded! She gushed about the housing system, which sorts students randomly into teamlike houses where someone is caring for you right from the start. She gushed about her job with the university-sponsored Community service leadership Training Corps and about her volunteer work advising prospective students. We met in the spacious lobby of the campus art museum, where she had already been three times but had yet to see the paintings; she was always there for a reception or a meeting. I asked if many of her fellow students felt alienated from society, as many young people did in the 1960s. i don't think anyone really feels that she responded. i am so impressed with so many of my peers at the university, with what they've accomplished before they go there in their high-school years, what they've accomplished now. She has a social conscience and a mature grasp of the extraordinary privileges life has handed her. A reporter slotting her in for an interview also discovers she's astonishingly overscheduled - right now it's probably the worst time to ask me what I do for fun!

it was already midnight essay

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Her response: you're not meant for college. You should really drop out. he struck up a conversation with a student on his floor who as far as I can tell doesn't have any friends at online all and nobody talks to him. He has no desire to transfer - even though he's unhappy. I feel like a lot of people are like that supermarket as well. You know: 'college sucks anyway, so i might as well stay here. Most of my interviewees were happy. Caroline ouwerkerk was ecstatically.

I sat down with a group of them at the medici cafe, a campus fixture for decades, and they described college as a small town they're eager to escape. everyone i talk to has that kind of feeling in their bones mike yong, a japanese literature major, insisted. even if they're going into investment banking. someone offered the word infantilizing. murmurs of assent, then the word emasculating to louder agreement. One even insisted his process of political, social and creative awakening had happened, yes, during college - not because of college but in spite. Is their diagnosis a function of college itself today, or just this particular college? Hamilton Morris told me stories that suggest the former. He visited his adviser and described his frustrations with the university.

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it was already midnight essay

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mitchell's stories tumbled forth: baiting rednecks by reciting Lenny Bruce routines; listening to Elaine may and mike nichols records (they helped invent modern sketch comedy at the compass Theatre two blocks from shredder campus in the 1950s the midnight concert students organized in which John Cage. we seemed to have boundless verve. I had a friend who said, 'why don't we call Dexter Gordon and get him to come to our dorm lounge and play?' Then we called John Coltrane and said, 'would you like to do a concert with ravi shankar?' The point I'm trying. This is the most liberating moment Americans have in life. Mitchell was beaming, but his face fell when I told him about my conversation the previous evening with Hamilton Morris, a new Yorker finishing up his first year of college. His parents make documentary films. He attended a high school of the arts where they sort of let me do whatever I wanted.

he is a filmmaker, a painter, a photographer, an experienced professional stand-up comedian. His life precollege was exceptionally fulfilling, and he expected it to remain so here at one of the nation's great universities. I hated it from the first day he told. people here are so insanely uncreative, have and they're proud. his fellow students had to spend their entire high-school experience studying for the sats or something and didn't really get a chance to live life or experience things. What was most harrowing was Hamilton's matter-of-fact description of a culture of enervation - that so many people hate it with a passion and don't leave. i heard similar things from several bright, creative searchers on campus - the kind of people in whom I recognized my own (and doug Mitchell's) 19-year-old self.

i suspect I got in this university primarily because i had a high-school friend who got a pirated copy of Henry miller's 'Tropic of Capricorn he said. i put that on my reading list. And the admissions counselor was utterly astonished: 'how did you get this?' It was truly banned in 1960. he settled into an alienated suburban kid's paradise. we had a social life that kind of revolved around the dorm lounge, because that's where everybody hung out after midnight. And some people got way into it and didn't survive.

They would never go to class. They would argue night and day in the lounge! Mitchell and his friends enhanced their social life with special celebrity guest speakers, lured to their dorm lounge with little more than chutzpah and a phone call -people like anais Nin, eudora welty and Ralph Ellison. One kid, a loudmouthed New Yorker (overrepresented at Chicago, which didn't have jewish"s confronted Ellison over the latter's distaste for Charlie parker. Mitchell shakes his head in wonder. It was extraordinary to see this kind of head-to-head thing go on practically the first week you showed up on campus. The scrappy kids who were there wanted to mix it up with whoever came.

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Here's one answer: College as America used to understand it is coming to an end. For nine years i've lived in listing the shadow of the University of Chicago - as an undergraduate between 19, and again since 2002. After growing up in a suburb that felt like a jail to me, i found my undergraduate years delightfully noisy and dissident. I got involved with The baffler, the journal of social criticism edited by Thomas Frank, who went on to write what's the matter With Kansas? every sunday, i trekked down to the neighborhood jazz jam session, where '60s continuities were direct. The bass player was a former maoist, the drummer a former beatnik. Early in may i had lunch with the beatnik, doug Mitchell, who received his undergraduate degree in 1965 and then went to graduate book school here and is now an editor at the University of Chicago Press.

it was already midnight essay

Now, as then, everyone says higher education is more important than ever to writers America's future. But interesting enough to become a topic of national obsession? Controversial enough to fight a gubernatorial campaign over? The kids do have their own war now, but not much of an antiwar movement, much less building takeovers. College campuses seem to have lost their centrality. Why do college and college students no longer lead the culture? Why does student life no longer seem all that important?

you going to do about Berkeley?' And each time the question itself would get applause. It's unimaginable now that a gubernatorial race in the nation's largest state would come down to a debate about what was happening on campus. But it seemed perfectly natural then. The nation was obsessed with college and college students. It wasn't just the building takeovers and the generation gap; the obsession was well in gear by the presidency of John. (In October 1961, harper's devoted an issue to the subject.) The fascination was rooted in reasons as fresh as yesterday's op-ed pages: in an increasingly knowledge-based economy, good colleges were a social-mobility prerequisite, and between 19, the number of college students doubled. Reagan actually cast himself as this new class's savior, asking whether Californians would allow a great university to be brought to its knees by a noisy, dissident minority. to that, liberals responded that these communities' unique ability to tolerate noisy, dissident minorities was why universities were great.

Sometimes the feelings are so hard to hide, except. I'm wasting my time, in business my midnight confessions, when I tell all the world that I love you. Na na-na na na na na-na na na-na na na na na-na. By rick perlstein, when Ronald reagan ran against Pat Brown in 1966 for the governorship of California, the defining issue was college. Governor Brown was completing the biggest university expansion in modern history - nine new campuses. California's colleges and universities had been instrumental in turning the nation's biggest state into the world's seventh-biggest economy and an international cultural mecca - and they formed the heart, Brown presumed, of his re-election appeal. Ronald reagan's advisers agreed and sought to neutralize the higher-ed issue by having the actor announce his candidacy flanked by two nobel Prize winners. Reagan had other ideas. For months he told campaign-trail audiences horror stories about the building takeovers, antiwar demonstrations and sexual orgies so vile that I cannot describe it to you at Berkeley, the University of California's flagship campus.

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The sound of your footsteps, telling me that you're near, your soft gentle motion, baby. Brings out the need in me that no-one can hear, except. In my midnight confessions, when dates I tell all the world that I love you. In my midnight confessions, when I say all the things that I want. I love you, but a little gold ring you wear on your hand makes me understand. There's another before me, you'll never be mine. I'm wasting my time, staggering through the daytime, your image on my mind. Passing so close beside you baby.

It was already midnight essay
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