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How do you develop Pathos? Three pillars of Public Speaking In this article we defined what pathos is and why it is important, but there are still several major questions: How do you develop it? Is it your speech content that creates pathos, or your delivery? What are the most effective strategies you can employ? These questions are addressed in the next article of this series — 18 Paths to pathos: How to connect with your Audience.

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In general, you want the rebbe audience to feel the same emotions that you feel about your arguments and the opposing arguments. One convenient way to see this is by looking at the difference between evoking positive emotions versus negative emotions. Surprise, joy, awe) should be associated with your claims, or your side of the persuasive argument. Fear, contempt, disappointment) should be associated with your opponents claims. Sometimes, you may have a human opponent (e.g. Other times, your opponent may be the status quo which you are seeking to change. Why is Pathos Critical for Speakers? In summary: If you utilize pathos well, your audience will feel the same emotions that you. If you do not utilize pathos well, your audience will not be motivated to disrupt the status quo. They will be more likely to find fault in your logical arguments ( logos, the topic for a future article). They will not feel invested in your cause.

Positive emotions versus Negative emotions If you utilize pathos well, your audience will feel the same emotions that you. Your audience will feel the pain, the joy, the hope, and the fear of the characters in your stories. They will no margaret longer be passive listeners. They will be motivated to act. Are all emotions equal? In other words, will any emotion do? Will my audience adopt my views equally if I make them feel surprise as when I make them feel anger? The evoked emotion must be appropriate to the context.

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Aristotle knew that the emotion must be linked with your speech arguments. For example, aristotle defines anger and describes what causes someone to become angry. He then encourages speakers to associate that anger with ones opponent: it is clear that it might be needful in a speech to put the audience into a state of mind of those who are inclined to anger and show ones opponents as responsible for. In other words, make your audience angry, and direct that anger at your opponent. If your audience is angry at your opponent, they will be more receptive to hear your ideas. Just as having high ethos makes your audience more likely to be persuaded, pathos can also make your audience more susceptible to being persuaded. By making an emotional connection with your audience: your audience will be more likely to understand your perspective (via the shared emotion or experience). Your audience will be more likely to accept your claims. Your audience will be more likely to act on your call-to-action.

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According to translator george kennedy, aristotle provides the earliest systematic discussion of human psychology. Aristotle identified the following seven sets of emotions, with each pair representing opposites: As a speaker, your goal is to create a shared emotional experience with your audience. Anger and Calmness, friendship and Enmity, fear and Confidence. Shame and Shamelessness, kindness and Unkindness, pity and Indignation. Envy and Emulation by comparison, twentieth century psychologist Robert Plutchik proposed a set of eight basic emotions along with eight advanced emotions. He, too, arranges them in opposite pairs: Basic Emotions joy — sadness Trust — disgust fear — anger Surprise — anticipation Advanced Emotions Optimism — disappointment love — remorse submission — contempt Awe — aggressiveness Many others have offered different categories of emotions. It isnt important affair to find the correct classification of emotions; indeed, there may not be a correct classification.

Instead, the goals of a persuasive speaker are to: be aware of the wide range of emotions, decide which emotions to evoke, and learn how these emotions can be evoked in your audience. Pathos: Why evoke audience Emotions at All? If the evoking a particular emotion was the final result, it would quite a useless endeavor. Randomly making the audience feel anger or joy or fear or hope will not, in itself, get you anywhere. Emotions do not persuade in solitude.

The word pathos is derived from the ancient Greek word for suffering or experience. Think about other words from the same root: Three pillars of Public Speaking, pathogen and pathology describe the source of a patients disease or suffering. Empathy is the ability to share the emotions of another person. Sympathy describes a similar ability to share emotions, usually negative emotions such as pain or sadness. Antipathy equates with strong, negative emotions toward another.

Something that is pathetic is likely to arouse either compassion or contempt. All of these related words focus on the concept of shared experience or shared emotions. As a speaker, your goal is to create a shared emotional experience with your audience. Pathos describes your ability to evoke audience emotions and strategically connect these emotions with elements of your speech. Pathos: evoking Emotions In your Audience. This leads to the obvious question — what emotions can you evoke? The simple answer is all of them, but that isnt too helpful. There are a numerous theories of emotion. Philosophers and psychologists have attempted to itemize and categorize emotions into convenient buckets for thousands of years.

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'The temptations of TVs and game consoles are far greater than when their parents were at school. 'but homework doesnt have to be stressful, if both parents and students are struggling with something there are always resources to help. Article category: Speechwriting by, andrew Dlugan, published: Mar 8th, 2010, american psychologist William James wrote: The emotions arent always immediately subject to reason, but they are always immediately subject to action. Emotions — whether fear or love, pity or anger — are powerful motivators for your margaret audience. An audience emotionally stimulated in the right way is more likely to accept your claims and act on your requests. By learning how to make emotional appeals, you greatly improve your effectiveness as a speaker. In this article of the. Ethos, pathos, and Logos series, we turn our attention to pathos, and the role of emotion in persuasive public speaking.

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called upon to help with their childrens homework at some point during their education. 'but these results show there is  a fine line between helping your child understand their studies and completely taking over. if you are letting your child sit back and relax while you do their homework, the chances of it actually sinking in are very slim. Its probably best just to be there as a sounding board if your child gets stuck on something. The study also found that the average couple with children in school falls out over homework three times in a typical month. Three quarters said they still favour the subjects they were good at in school, while half said their offspring regularly get distracted by tv when they are supposed to be studying. 'Children are bound to get distracted when doing their homework added the spokesman.

Some of the 20,000 parents polled said they stepped in to do the homework to avoid tantrums. But essay it could have been a case of crocodile tears because 70 per cent said their children are more than happy to sit back and have their work done for them, while 38 per cent said their youngsters even wander off and leave them. And puzzle they do, for a quarter agreed that the work set was too hard, while two thirds admitted there had been times when they couldnt lend a hand because it was too difficult. Some 18 per cent fear that teachers judge them for the standard of their childrens work. Meanwhile a competitive 42 per cent confessed it gives them a kick when their youngsters receive high marks for a project they have helped with. More than 70 per cent of parents said their children were happy to sit back and watch them do the work. The survey also found that one in 20 couples argue regularly about homework.

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Parents who do all the homework: One in six admits they regularly do their children's work. Nearly two thirds said they stepped in with children's homework. One in ten admitted their help prevented tantrums and 'bad atmosphere'. Almost 20 per cent felt teachers judged them by children's work. Forty-two per cent said they felt a kick when the work is graded well. Published: 22:34 bst, updated: 22:34 bst, m ost of us dreaded getting homework when we were at school. When summary we become parents, however, it seems were only too happy to knuckle down. Nearly two thirds of parents said they help their children with their work with one in six admitting to regularly doing all of it, a study has found. One in ten said their assistance prevented tantrums and a bad atmosphere in the evenings in the poll which was carried out among 2,000 parents with children aged between five and.

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  7. Definition: what is pathos? Why is it critical for public speakers? Examines pathos and emotional connection with a speaker's audience. Parents who do all the homework: One in six admits they regularly do their children's work. Nearly two thirds said they stepped in with children's homework.

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