When I say "beauty what's your current definition of beauty? When I think beauty, i think of an untouched forest, only created by god's hand. I think of a gray sky that separates the architecture from the background and creates these amazing photographs because you don't have to block the sun above you when you're taking the photograph. I think beauty is important and it's undermined by our current corporate culture. When you think about the corporate office, you don't see the importance of beauty. I think all colors are beautiful and in a corporate world only one color.
Essay about fatherhood - cabinet Adrai - lachkar
Let's just tap back into the real world for a second - we can have children. We can raise our kids, let's be thankful. But how about we raise our kids in a truthful world, not a world based on brands and concepts of perception? Perception is not reality. When I look in North's eyes, i'm happy about every manager mistake i've ever made. I'm happy that I fought to bring some type of reality to this world we choose to stay in right now, driven by brands and corporations. I also love people being inspired to follow their dreams, because i think people are oppressed by smoke and mirrors, by perception. There isn't an example of a living celebrity that has more words formed against him, but just a little self-belief can go a long way. I think the scariest thing about me is the fact that I just believe. I believe awesome is possible and I believe that beauty is important.
We have to compromise what we say in proposal lyrics so we don't lose money on a contract. Madonna is in her 50s and gave everything she had to go up on an award show and get choked by her cape. She's judged for who she adopts. Fuck all of this sensationalism. We gave you our lives. We gave you our hearts. We gave you our opinions!
I like two things: I like innovating and I like making things better. It's not that i always have to invent things that are new. Sometimes I can take something that's there and attempt apple to make a better version and that's what gets me off. I heard a comment - a joke - about the tidal press conference being an Illuminati moment. If there was actually an Illuminati, it would be more like the energy companies. Not celebrities that gave their life to music and who are pinpointed as decoys for people who really run the world. I'm tired of people pinpointing musicians as the Illuminati. We don't run anything; we're celebrities. We're the face of brands.
Graduation was an innovation. 808s heartbreak was an innovation. The song "Niggas in Paris" was an innovation. "Only One" was an innovation. "Fourfiveseconds" was an innovation. I care about innovating. I don't care about capitalizing off of something that we've seen or heard a thousand times. I'm not a capitalist in that way.
What my father means
I just looked at civilization: I'd have an assignment to do an ink drawing that took me two weeks, three weeks, and I'd show it to my friends and they'd say, "Cool. My friend can draw. Now let's go play ball. Let's go downtown and talk to some girls." But when I'd work on a track, i'd work on it for just that afternoon - chop up a sample, put some drums. And if my friends liked male it, we'd make a tape of it and play it all the way downtown. We'd listen to it all night, keep rewinding. I made a decision at that point to focus on painting with sound instead of painting visually.
I loved it more than I love it now. But I think that can happen with anything. You can live in New York for 10 years and say, "I now want to move to san Francisco." It's just harder for me to do music now, period. It's easier for people who focus on it all day and who are younger in their concept of what they want to do with. I am not what I would consider truly a musician. I am an inventor. I am an innovator.
Anything halfway good is at least medium hard." There's no easy way out. Just choose what you want to focus. Right now, over 70 percent of my focus is on apparel. I haven't even given. College Dropout of clothing yet.
We're still on mixtapes. When I was working at the gap at 15, i don't think i had any desire to actually make clothes, but i always felt like that's what I wanted to be around. I loved the fabrics, i loved the colors, i loved the proportions. Abercrombie was too expensive for me and the gap was too expensive for. Even though I worked at the gap, i didn't get enough hours to get a discount because i was a part-time employee, because i went to high school. At that time i focused mostly on painting and basketball, but then I took two steps away from my potential career as an artist. I had scholarships to saint xavier, the Art Institute of Chicago - i went to the American Academy of Art on an arts scholarship, but I stepped back from that to paint in a different way. I chose to paint sonically. To chop samples in a warhol-type way.
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Fashion is something that's in my heart to do year - in my spirit. There's no world that can stop me from what I love. Not the rap world, not the fashion world, not the real world. But it hurt me as a human being to see that article written, with the amount of work that's there and the potential and what i know, i will eventually. But behind bravery and courage is the ability to brace for pain, not the idea of never having pain the or trying to avoid pain. Bravery and courage is walking into pain and knowing that something better is on the other side. I heard this" from Steve jobs: someone came up to him when he was working on something and said, "hey, just. It will be easy." And he said, "Wait a second.
I was into. It looked fresh. I felt creative; I didn't feel limited by some perception. It's funny to be so famous and noted for one thing, and to have so many people try to box you out of another form of art, even if you've proven you're an artist of one form. My goal isn't to "break through the fashion world my goal is to make usable sculpture. My goal is to paint. My goal is to be as close to a five-year-old, or a four-year-old, or a three-year-old, as possible. If a three-year-old says, "I like the color report orange he's not giving an explanation to an entire world that can give him a thumbs-up or a thumbs-down on whether or not he should like the color orange. I don't care about the thumbs-up or the thumbs-down.
saw Alber Elbaz, he patted me on the back and said, "Keep going." It's important to believe and it's equally important to pay your dues. I was speaking at a fashion award ceremony - i gave the head of Milk Studios, mazdack rassi, the first award of the night - and I talked about the concept of "the fashion insider." I believe that everyone is a fashion insider, because it's. But in all seriousness, the fashion world can say, "yo, you know what I mean: the inside insiders." I saw this article that asked, "Should Kanye leave fashion to the professionals?" That question is really ignorant, in a way, because the second I sell. And when you sit down with Riccardo tisci at the louvre and he pitches the idea of you wearing a leather kilt, which could be considered by all of your gangbanging friends as some sort of a dress or skirt, at that point you are. You have paid your dues to be an insider. I paid my dues when I had to wear a kilt in Chicago, and friends would say, "What's your boy got on?" But there are warriors that have killed people in kilts in the past. Who gets to decide what's hard and what's not hard? When I saw this kilt, i liked.
There's a lot of people who want to make sure things don't become a hybrid, but the Internet has opened up every conversation, literally and metaphorically. It starts as homogenizing, but this hybrid-ing, this interbreeding of ideas, is necessary for us as a race to evolve. (Thank god for Steve jobs.) For example, there was an embroiderer at a fashion house who was in her 90s and she refused to give anyone her technique. She said, "When I die, this technique will die also." I think the opposite of that. I think it's so important for me, as an artist, to give drake as much information as I can, aap, pdf kendrick, taylor Swift, any of these younger artists as much information as I can to make better music in the future. We should all be trying to make something that's better. It's funny that I worked at the gap in high school, because in my past 15 years it seems like that's the place i stood in my creative path - to be the gap, the bridge. It's beautiful when you can connect a purpose to things that you've spent a lot of time. I feel very positive about the future.
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I know people want to talk about the American Dream, but my dream is a world dream. It's a world in which everyone's main goal would be to help each other. The first thing I told my team on New year's day was, "you know, people say bad news travels fast, but this year let's make good news travel faster." you get back what you put out, and the more positive energy you put out, the. We essays had to do a lot of fighting in the past couple of years to get people to understand what we want to do, what we will do and what we're capable of doing. Not just me - or my donda creative team, or my design team, or my music team - but an entire generation that has the information highway and the ability to access information. Information is not only power; it's simply everything. It can be a scary thing for people to think universally, to think in terms of the world.