Coincidentally, she also happens to live in Rachels old house. But while she wallows smugly in maternal bliss, shes also bored and longs for the exciting, old days of being The Other Woman. With each chapter, hawkins peeled away the layers of these characters, revealing their flaws and fears and providing varying (and often unreliable) perspectives as the novels torrid events unfolded. Gone girl —to which it invariably will draw comparisons as a juicy exploration of violence and mystery in genteel suburbia—the girl on the Train is good trash. At least as a novel,. As a film, however, its not even that. Its just a flat and suspense-free tale of pretty people in peril. And not only is the whodunit part of the film not all that intriguing (or surprising neither are the characters swirling around each other until that big revelation comes to light.
The, train (2013 movie, review, mRQE
Age 14 Unfaithful Not for kids, but some adults will like. Age 18 Top advice and nutrition articles 5 Tips to make family movie night a success tv and movies That Celebrate Grit. The allure of, the girl on the Train was never the whodunit element. Paula hawkins hugely popular page-turner. It was the way in which Hawkins bounced around with time and narration between a trio of indoor toxic women, all of whom were struggling with the increasing difficulty of maintaining the finely tuned facades theyd presented to the world. Theres Rachel, who gives the book its title. Once a happily married publicist, she now looks longingly out the window as she commutes to and from the city twice a day, fantasizing about the seemingly perfect suburban lives she passes while sneaking sips of vodka to fend off the shakes. Advertisement, theres Megan, the pretty blonde who lives in one of those comfortable houses. Working at an art gallery is one of the many ways this frequent liar and runaway has reinvented herself; she has a handsome husband and a cushy existence but shes restless and ready for another escape. Then theres Anna, whos now married to rachels ex-husband and the mother of his infant daughter.
LivinglovingLearning, october 7, 2016 age 18, adult Written by, cory. October 8, 2016 age. This movie has very dramatic plot lines weaved throughout. It is very sad seeing the betrayal, lust, and lies that one of the characters has caused. Continue reading, teen, 15 years old Written. PipeCine, october 9, 2016 age 16, teen, 17 years old Written by sgt123, october 23, 2016 age 13, what's the story? Movie details, in theaters: October 7, 2016, on dvd or streaming: January 17, supermarket 2017, cast: Emily Blunt, luke evans, haley bennett, justin Theroux Director: Tate taylor Studio: Universal Pictures Genre: Thriller Topics: book characters, misfits and Underdogs Run time: 112 minutes mpaa rating: r mpaa. Book characters see all Misfits and Underdogs see all Our editors recommend Gone girl violent, layered adaptation is dark but thrilling. Age 17 Strangers on a train Classic nail-biter is a must for thriller fans.
Pretty graphic thrusting and grinding, but little sensitive nudity - except for one key moment (which isn't a love scene) that shows a nude woman from behind. Language, frequent but not constant swearing mostly includes variations of "f-k" and "s-t with the occasional "bitch "ass and "damn" thrown. Consumerism, the main characters frequently use iphones; one scene also features an ipad. Drinking, Drugs smoking, the main character is a hardcore alcoholic pdf who consistently gets blackout drunk, waking up with little or no recollection of what happened the night before. She drinks in bars with strangers and acquaintances and also at home by herself. She's often nursing a water bottle filled with vodka and frequently gets sloppy-drunk and belligerent. Parent of a 11 year old Written.
Characters, both male and female, don't have a lot of depth; women are often portrayed as icy. Several scenes of people getting drunk and violent, throwing bottles and other objects against the wall or knocking things off tables. Also several fight scenes; people literally fight for their lives with whatever objects are nearby. They're pretty brutal and realistic and can be tough to stomach for some viewers. A murder is at the center of the story; a sense of danger/menace hangs over the movie. References to domestic abuse. Couples kiss, cuddle, and have sex - in bed, outdoors, and in the shower.
The, girl on the, train by paula hawkins — reviews
We continue to identify technical compliance solutions that will provide all readers with our award-winning journalism. Jump to navigation, common Sense says, r minutes. A lot or a little? The parents' guide to what's in this movie. Positive messages, lots of betrayal and doubt. Rachel sometimes can't recall what happened the night before; when people tell her what she did, it's sometimes hard for her to believe them.
But she learns to trust her own judgment, even when all the evidence seems against. Positive role models representations, rachel is an alcoholic who can't get over her divorce, even though her ex-husband is remarried with a new baby. She's bitter that he seems to have the perfect life, while she definitely doesn't. She eventually realizes that everything isn't as perfect as it looks. Other characters aren't what they seem; lots of flaws on thesis display.
Rated r, 112 minutes). Tomatometer, audience score, average rating:.2/5, user Ratings: 34,063. Critic Consensus: Emily Blunt's outstanding performance isn't enough to keep. The girl on the Train from sliding sluggishly into exploitative melodrama. The girl on the Train, videos, the girl on the Train.
Photos, movie info, rachel, devastated by her recent divorce, spends her daily commute fantasizing about the seemingly perfect couple who live in a house that her train passes every day, until one morning she sees something shocking happen there and becomes entangled in the mystery. Based on paula hawkins' bestselling novel. Watch it now, cast. News interviews for, the girl on the Train, critic reviews for. The girl on the Train, view All Critic reviews (268 audience reviews for. The girl on the Train, view All Audience reviews, the girl on the Train. Unfortunately, our website is currently unavailable in most European countries. We are engaged on the issue and committed to looking at options that support our full range of digital offerings to the eu market.
The, girl on the, train, online Free full, movie
The lone creative element to command coercive interest here is Elfman's score, which employs sonic currents of tonal irregularities, pulsations and mood instigators rather than melodies, typical tension tropes or any of his trademark gambits from the tim Burton collaborations. He almost makes the film seem good from time to time. Opens: Friday (Universal production: Marc Platt Productions, cast: Emily Blunt, haley bennett, rebecca ferguson, justin Theroux, luke guaranteed evans, Edgar Ramirez, laura Prepon, Allison Janney, darren Goldstein, lisa kudrow, lana young. Director: Tate taylor, screenwriter: Erin Cressida wilson, based on the novel by paula hawkins. Producers: Marc Platt, jared leboff, executive producer: Celia. Costas, director of photography: Charlotte Bruus Christensen. Production designer: kevin Thompson, costume designers: Michelle matland, Ann Roth. Editor: Michael McCusker, music: Danny Elfman, casting: Kerry barden, paul Schnee.
The two main men, tom and Scott, are humorless, ornery, sexually presumptuous and incapable of saying an interesting word about anything. The women aren't much better: The sullen Megan resembles a beautiful zombie, anna can think or speak of little other than her baby and Rachel thesis only with great difficulty emerges from her booze-soaked cocoon. Taylor's first feature was called. Pretty Ugly people; that could equally serve as the title for this one. All of this wouldn't matter quite so much if the central mystery had been more compelling. But the ever-present possibility of trick endings to the side, it isn't too difficult to come up with the most rational supposition as to who the baddie is, and the revelation, when it comes, isn't the least bit gasp-inducing. The other suspense rates as little more than curiosity, as to whether or not Rachel will ever pull herself together and pour the hooch down the drain instead of down her throat. A few nice character performances lurk around the edges, including those by Allison Janney as an approachable cop; laura Prepon, given too little screen time as Rachel's indulgent landlady; and especially lisa kudrow, who brings exceptional verve to a nothing role.
a good deal of her time trying to remember the details of an awful drunken night when something very bad happened. The problem, however, is that Rachel just can't stay off the sauce. Taylor and his cinematographer move the camera around in any number of disorienting, unsteady, focus-changing ways to communicate the protagonist's instability. But the bottom line is that what we're looking at much of the time is a woman with bleary eyes, blotchy complexion and a demeanor of sour discontent who nonetheless remains movie-star pretty. In the book, rachel says of herself, i am no longer desirable, i'm off-putting in some way. It's not just that i've put on weight, or that my face is puffy from the drinking and the lack of sleep; it's as if people can see the damage written all over. Try as the actress might, all of Blunt's grimaces, slurred words and unbalanced walking don't really convince that she is Rachel; it feels like an act. But the real problem is that she's a drag, as is virtually everyone else who populates this dire tale of serial misbehavior among would-be-but-not-really friends. The puzzle of how the various personal and narrative pieces will eventually fit together exerts a smidgen of interest, but the characters are so dour and lacking dimension as to invite no curiosity about them.
As the apple cinema is arguably the artistic medium most conducive to conveying sustained voyeurism, this particular story held a great deal of potential. The first mistake of cast-off ex-wife rachel Watson (Emily Blunt) is to continue to live in immediate proximity to her ex, tom Watson (Justin Theroux and his beautiful new wife, anna (Rebecca ferguson especially now that they have a baby, something a jealous Rachel was. While drowning her sorrows with the bottle and having long since lost her job due to drunkenness, rachel spies on and harasses Tom and Anna with persistent phone calls, unwanted visits and, unbeknownst to them, prying looks as Rachel passes by their house twice. Along this river route also lies the house shared by ultra-macho Scott Hipwell (luke evans) and his gorgeous young mate megan (Haley bennett who not only bears an acute resemblance to Anna but, at the outset, works as the nanny for Anna's child. Rachel likes to spy on her, too, and one day her prying eyes hit pay dirt when she spots Megan on an upstairs deck kissing a man who is decidedly not her husband. In fact, it is the local ladies' favorite shrink, dreamy-looking. Kamal Abdic (Edgar Ramirez a problematic character in that, a) he has some professional ethics issues he ought to sort out, b) he just sort of disappears from the narrative at a certain point and c) his name suggests Middle eastern descent (explicitly. Once it was decided to cast Ramirez, an excellent actor, why not just change the character's name instead of inviting perplexity?
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Tate taylor's adaptation of the essays best-selling paula hawkins novel stars Emily Blunt as an alcoholic who becomes obsessed with a local murder case. Paula hawkins is on record as disliking comparisons of her sensationally successful 2015 best-seller. The girl on the Train to the previous girl crime fiction smash, gone girl. There's no doubt that Tate taylor, the director of the film version of Hawkins' novel, will also object to having his work held up next to david Fincher's cinematic take. Gone girl, as the juxtaposition will certainly not be to his benefit. A morose, grim and intensely one-dimensional thriller about an alcoholic's struggle to make sense of a close-to-home murder as well as her own mind, this major fall release from Universal can count on a panting public to pack multiplexes upon its opening Friday. But this train may hit a yellow commercial light sooner than expected down the line. Distinguished only by a quite extraordinary musical score by danny Elfman, working in an entirely uncharacteristic mode, and some adventurous camerawork from dp charlotte Bruus Christensen, the film is very faithful to the book both structurally and in dramatic incident. The changes lie elsewhere: The setting has been shifted from greater London to the new York city suburbs, the milieu is much more upscale than in the book and the title character in the film is both more physically attractive and less ironic than.